Peter Blake | Faith, Hope and Charity
Peter Blake | Faith, Hope and Charity
Peter Blake RA won international fame in the 1960's as one of the leading exponents of the British Pop Art movement. His work is represented in major collections throughout the world. His images are born from a love affair with the icons and ephemera of popular culture and his influence on the music world can be summarised by the seminal cover art for The Beatles 'Sergeant Pepper' album.
Born in 1932 in Dartford, England, Peter graduated from the Royal College of Art in 1956 with immediate success in exhibiting at important and influential galleries. His star has never dimmed and to this day Sir Peter Blake is maintains a high and much sought after body of work.
As well as studying at the Royal College of Art, he also became a lecturer there and between 1964-1976 directly influenced a new generation of artists. Sir Peter Blake's work reflects his fascination with all streams of popular culture, and the beauty to be found in everyday objects and surroundings. Many of his works feature found printed materials such as photographs, comic strips or advertising texts, combined with bold geometric patterns and the use of primary colours. The works perfectly capture the effervescent and optimistic ethos of the sixties, but are also strikingly fresh and contemporary. There is also a strain of sentimentality and nostalgia running throughout his work, with particular focus towards childhood innocence and reminiscence, as can be seen clearly in his recent Alphabet series. Blake is renowned for his connection with the music industry, having produced iconic album covers for The Beatles, Paul Weller, The Who, and Oasis.
Framed Screenprint | 99cm x 54.7cm Paper Size | Signed Limited Edition of 125 |
'Faith, Hope and Charity' is a nostalgic triptych of segments made up from collaged elements of Victorian postcards. This delicate and feminine work illustrates the three Christian virtues mentioned in Paul’s first epistle to the Corinthians. This work is about sentiment and the power of words. It continues the exploration of this power, these eternal themes, that Blake examined in his recent ‘I Love You’ and ‘Hope’ prints. Using floral motifs on postcards was very popular in the Victorian era; here Blake has re-arranged these ornamentations to suit his own aesthetic vision. Cherub heads and child-figures playing musical instruments feature in the ‘Faith’ section; echoing the themes of childhood innocence and joy that recur throughout Blake’s work. The rectangular panel at the peak of the cross is taken from a work by Sir Joshua Reynolds ‘A Cherub Head in Different Views’ 1787. Each panel includes the design of a hand holding a messages ‘Remember Me, Forget Me Not and A Tribute of Love’ that would have been the centre-piece of the original postcards from which they are extracted.